Has someone ever made you feel like your skin is flawed because of your stretch marks? Has that someone ever been you? Why would anyone make such a cringe comic?! How dare I do this? Join me on this comic journey of different ages and stages of my life. Every moment taught me how crucial it was to love myself fiercely in a world that body shames, tells me I am inherently flawed, and stretches my mark in this lifetime. A personal comic that reflects on the times that people STRETCHed my self-esteem with their reMARKS about my body. Stretch Marks is 64 pages. A comic in color with a paperback cover.

Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte's Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War.

Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation, American soldiers created "a howling wilderness" of the surrounding countryside. Magsalin reads Chiara's film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator - one about a white photographer, the other about a Filipino schoolteacher.

Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino's If on a Winter's Night a Traveler, Julio Cortazar's Hopscotch, and Nabokov's Pale Fire. But at its heart this is a novel of emotional power that grapples with our endless ability to erase the past. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she reveals the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.

Learn powerful, practical strategies for creating an inclusive school community. The Identity-Conscious Educator provides a framework for building awareness and understanding of five identity categories: race, social class, gender, sexual orientation, and disability. Connect with vignettes and personal stories from the author that illuminate how to address identity topics in your personal and professional life. Then, develop skills in engaging in meaningful interactions with students and peers.

Seated side-by-side at their kitchen table in San Jose, California, ninety-four year old Crescenciana Tan and her grandson, Kenneth Tan, got to work. Crescenciana made watercolor paintings and Kenneth drew her memories on top of them. When Crescenciana passed, she left behind all of her paintings, and Kenneth decided he would finish everything she started. He promised.

In Crescenciana, Kenneth weaves together their artwork, conversations, and memoirs to tell his grandmother’s life story. With heart and humor, he recounts Crescenciana’s childhood antics in the Philippines, her fall on black ice outside of a church in Canada, and her show-stopping civics test performance that earned her citizenship in the United States. At the same time, he revisits her memories as a survivor of World War II and the Japanese occupation of the Philippines, and he reflects on his own continuing grief since her passing.

Jamie Santiago is just an ordinary high school teenager—he has a huge crush on a girl from school, he watches a ton of sitcoms, and he is constantly trying to keep his dad from feeding egg rolls to his white friends. Not to mention he also aspires to be the next Tinikling folk dance master. Okay, maybe he’s not so ordinary.

It's hard enough balancing the demands of high school, but when the last ever Asian Folk Festival falls on the same day as Homecoming, it feels like Jamie's world comes crashing down. He is forced to make an important decision between honoring his heritage and salvaging what's left of his social life. With a racist bully at school and rising protests in Portland, Jamie sometimes wonders if it would be easier to forget his Filipino side entirely instead of trying to embrace it.

[Play the catchy sitcom music]

[Cue the laugh track to numb the serious stuff]

If only life were so perfect.

Tensions will rise in Love, Dance & Egg Rolls as Jamie decides whether it's more important to remain hidden in plain sight or step directly into the spotlight. Jamie will not only come face-to-face with a bully, but also with this thing called cultural identity.

Andrew Zubiri's personal essay, Shelf Life, is featured in this collection. Andrew is a BFAB member.

Nearing the age at which his mother had migrated to the US, part of the wave of non-Europeans who arrived after immigration quotas were relaxed in 1965, Albert Samaha began to question the ironclad belief in a better future that had inspired her family to uproot themselves from their birthplace. As she, her brother Spanky—a rising pop star back in Manila, now working as a luggage handler at San Francisco airport—and others of their generation struggled with setbacks amid mounting instability that seemed to keep prosperity ever out of reach, he wondered whether their decision to abandon a middle-class existence in the Philippines had been worth the cost.

Tracing his family’s history through the region’s unique geopolitical roots in Spanish colonialism, American intervention, and Japanese occupation, Samaha fits their arc into the wider story of global migration as determined by chess moves among superpowers. Ambitious, intimate, and incisive, Concepcion explores what it might mean to reckon with the unjust legacy of imperialism, to live with contradiction and hope, to fight for the unrealized ideals of an inherited homeland.

Rooted in the experience of living in America as a queer undocumented Filipino, Documents maps the byzantine journey toward citizenship through legal records and fragmented recollections. In poems that repurpose the forms and procedures central to an immigrant’s experiences—birth certificates, identification cards, letters, and interviews—Jan-Henry Gray reveals the narrative limits of legal documentation while simultaneously embracing the intersections of identity, desire, heritage, love, and a new imagining of freedom.

Thirty-six-year-old Gabriella Stevens is living a quiet and content fairy tale as a devoted housewife to Simon—just as her traditional Filipino mother has always told her to do—when, after sixteen years of marriage and twenty years together, he tells he wants a divorce.

Simon has been Gabby’s everything since they were kids; without him, her world implodes. But as she navigates her way through the wreckage of the marriage she thought would last forever, she becomes determined to make a life on her own. With New York City as her backdrop, Gabby—single for the first time since she was a teenager—goes back to school, gets her first real job, and faces unfamiliar reality with determination.

Gabby’s life takes another turn when she falls in love with her mysterious but utterly beautiful creative writing professor, Colt. Being with Colt is exhilarating for her—something new, something exciting and beyond understanding. He is almost seven years her junior, and a literary genius. But he is also battling demons of his own: a tragic past that may have made him incapable of love.

Is Gabby destined for another heartbreak—or will her connection with Colt be what unbreaks her?

When Lila Macapagal moves back home to recover from a horrible breakup, her life seems to be following all the typical rom-com tropes. She's tasked with saving her Tita Rosie's failing restaurant, and she has to deal with a group of matchmaking aunties who shower her with love and judgment. But when a notoriously nasty food critic (who happens to be her ex-boyfriend) drops dead moments after a confrontation with Lila, her life quickly swerves from a Nora Ephron romp to an Agatha Christie case.

With the cops treating her like she's the one and only suspect, and the shady landlord looking to finally kick the Macapagal family out and resell the storefront, Lila's left with no choice but to conduct her own investigation. Armed with the nosy auntie network, her barista best bud, and her trusted Dachshund, Longanisa, Lila takes on this tasty, twisted case and soon finds her own neck on the chopping block…

At the turn of the twentieth century, the United States extended its empire into the Philippines while subjugating Black Americans in the Jim Crow South. And yet, one of the most popular musical acts was a band of “little brown men,” Filipino musicians led by an African American conductor playing European and American music. The Philippine Constabulary Band and Lt. Walter H. Loving entertained thousands in concert halls and world’s fairs, held a place of honor in William Howard Taft’s presidential parade, and garnered praise by bandmaster John Philip Sousa—all the while facing beliefs and policies that Filipinos and African Americans were “uncivilized.”

Author Mary Talusan draws on hundreds of newspaper accounts and exclusive interviews with band members and their descendants to compose the story from the band’s own voices. She sounds out the meanings of Americans’ responses to the band and identifies a desire to mitigate racial and cultural anxieties during an era of overseas expansion and increasing immigration of nonwhites, and the growing “threat” of ragtime with its roots in Black culture. The spectacle of the band, its performance and promotion, emphasized a racial stereotype of Filipinos as “natural musicians” and the beneficiaries of benevolent assimilation and colonial tutelage. Unable to fit Loving’s leadership of the band into this narrative, newspapers dodged and erased his identity as a Black American officer.

The untold story of the Philippine Constabulary Band offers a unique opportunity to examine the limits and porousness of America’s racial ideologies, exploring musical pleasure at the intersection of Euro-American cultural hegemony, racialization, and US colonization of the Philippines.

Award-winning author and artist Mike Curato draws on his own experiences in Flamer, his debut graphic novel, telling a difficult story with humor, compassion, and love.

About Flamer: It's the summer between middle school and high school, and Aiden Navarro is away at camp. Everyone's going through changes—but for Aiden, the stakes feel higher. As he navigates friendships, deals with bullies, and spends time with Elias (a boy he can't stop thinking about), he finds himself on a path of self-discovery and acceptance.

Book One in the From Kona with Love series depicting multicultural romance, love, loss, and redemption woven into a family saga set in the beautiful islands of Hawaii. Though connected, each installment can be read as a standalone.

After Andrea “Andie” Matthews chooses her career over a marriage proposal and then loses a promotion she worked so hard for, she jumps at the chance to take a break and help run a friend’s coffee shop.

Alone in Hawaii, Andie befriends the staff and quickly grows to care for them, making her determined to revive the company.

As luck would have it, she meets the mysterious Warren Yates on Christmas Eve. They share a cup of coffee, some conversation, and even a moment, which leads to many more in the coming weeks.

But when Andie learns who Warren really is—and what he actually wants—she is torn between her feelings and his deception.

Will Warren be able to win her heart back?

From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction—a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us., As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted—no matter how awkward the fit or forbidding the landscape—she was able to turn to our world’s fierce and funny creatures for guidance., “What the peacock can do, ” she tells us, “is remind you of a home you will run away from and run back to all your life.” The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world’s gifts., Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy.

When people ask Bren Bataclan to describe the tumultuous life with his mom Fe, they often ask, “How did you turn out so nice?” Bataclan’s memoir illustrates many volatile, often hilarious experiences with a tantrum-prone, narcissistic, hoarder mom. Yet Fe is fundamentally a loving and gay-supportive, though often challenging, Filipina mother. Bataclan shares a journey tracing his family’s immigration from the Philippines to the United States. You will remember his bittersweet story forever, as he moves from coping to thriving, with frustration, trauma, compassion, and eventual acceptance.

At once deliciously bizarre and painfully familiar, The Foley Artist introduces a vital new voice to Asian American literature. Ricco Villanueva Siasoco’s powerful debut collection opens new regions of American feeling and thought as it interrogates intimacy, foreignness, and silence in an absurd world. These nine stories give voice to the intersectional identities of women and men in the Filipino diaspora in America: a straight woman attends her ex-boyfriend’s same-sex marriage in coastal Maine; a college-bound teenager encounters his deaf uncle in Manila; Asian American drag queens duke it out in the annual Iowa State Fair; a seventy-nine-year-old foley artist recreates the sounds of life, but is finally unable to save himself.

The Son of Good Fortune is a novel about a mother, Maxima, and her son, Excel, who are undocumented Filipino immigrants living in California. They each do their best to make money, blend in, and not get caught by the authorities. But what they do is not what you might expect: Maxima seduces men on the internet, eventually cajoling them to wire her money, while Excel flees to a hippie commune with his girlfriend and begins to wonder if he could make it his home.

In this visually arresting graphic novel, surfer and illustrator AJ Dungo remembers his late partner, her battle with cancer, and their shared love of surfing that brought them strength throughout their time together. With his passion for surfing uniting many narratives, he intertwines his own story with those of some of the great heroes of surf in a rare work of nonfiction that is as moving as it is fascinating.

Fairest is Meredith Talusan's memoir as a Filipino boy, a gay man, and transgender woman. From beginning to end she bares everything about her past, her struggles, and her growth into who she is today. Fairest is equally an immigrant story, a gay-coming-of-age story, and a story about the discovery of womanhood.

Meredith Talusan is an award-winning author and journalist who has written for The Guardian, The New York Times, The Atlantic, The Nation, WIRED, SELF, and Condé Nast Traveler, among many other publications, and has contributed to several essay collections. She has received awards from GLAAD, The Society of Professional Journalists, and the National Lesbian and Gay Journalists Association. She is also the founding executive editor of them., Condé Nast's LGBTQ+ digital platform, where she is currently contributing editor.

Trick Mirror: Reflections on Self-Delusion is a 2019 book by American author Jia Tolentino. The book contains nine essays. Topics addressed in the essays include internet culture, "scammer culture", and contemporary feminism.

Jia Tolentino is a staff writer at The New Yorker. Raised in Texas, she studied at the University of Virginia before serving in Kyrgyzstan in the Peace Corps and receiving her MFA in fiction from the University of Michigan. She was a contributing editor at The Hairpin and the deputy editor at Jezebel, and her work has appeared in The New York Times Magazine, Grantland, Pitchfork, and other publications. She lives in Brooklyn.

When Marcella Leones relocates her family of aswang vampires from the Philippines to Portland, Oregon, she raises her grandchildren under strict rules so humans will not expose them. Her only wish is to give them a peaceful life, far away from the hunters and the Filipino government that attempted to exterminate them.

Before she dies, she passes on the power to her eldest grandchild, Percival. He vows to uphold the rules set forth by Leones, allowing his family to roam freely without notice. After all, they are aswangs.

However, when the aswang covenant is broken, the murder rate in Portland rises drastically. Who is behind the murders? And who is behind the broken covenant? Along with sensie Penelope Jane, Percival must find the truth.

It's then they discover that there are other breeds of aswangs--werebeasts, witches, ghouls, and viscera--who have been residing in Portland for years.

Based on Filipino folklore (aswang), "Vampires of Portlandia" is a fantastical tale of different monsters coexisting in the weirdest city in America.

Integrating snippets of Tagalog and Bikol, author Ribay displays a deep friendship between two 17-year-old cousins: Jay, born in the Philippines but raised in the United States since infancy, and Jun, born and raised in a gated community in Manila. Jay, considered white in an all-white school, is starting to get acceptances (and rejections) from colleges and finds out while playing video games that Jun, with whom he corresponded for years via "actual letters—not email or texts or DMs," is dead. His Filipino father doesn't want to talk about it, but his North American mother reveals that Jun was using drugs. Jay blames his uncle, a police chief, for his murder after researching the dictatorship of Rodrigo Duterte (the book includes a handy author's note and a list of articles and websites), who has sanctioned and perpetrated the killing of between 12,000 and 20,000 drug addicts by police and vigilantes since 2016. Jay, armed with his stack of letters, returns to Manila to search for the truth. Ribay weaves in Jun's letters so readers witness Jun's questions and his attempts to reconcile the inequity around him with his faith. Jay follows Jun's footsteps into the slums of Manila, the small house of his activist aunts, and the Catholic parish of his uncle, a village priest, and learns painful truths about his family, his home country, and himself.

I Was Their American Dream is at once a coming-of-age story and a reminder of the thousands of immigrants who come to America in search for a better life for themselves and their children. The daughter of parents with unfulfilled dreams themselves, Malaka navigated her childhood chasing her parents’ ideals, learning to code-switch between her family’s Filipino and Egyptian customs, adapting to white culture to fit in, crushing on skater boys, and trying to understand the tension between holding onto cultural values and trying to be an all-American kid.

Malaka Gharib’s triumphant graphic memoir brings to life her teenage antics and illuminates earnest questions about identity and culture, while providing thoughtful insight into the lives of modern immigrants and the generation of millennial children they raised. Malaka’s story is a heartfelt tribute to the American immigrants who have invested their future in the promise of the American dream.

Pulitzer Prize-winning journalist Jose Antonio Vargas, called "[T]he most famous undocumented immigrant in America", tackles one of the defining issues of our time in this explosive and deeply personal call to arms.

"This is not a book about the politics of immigration. This book - at its core - is not about immigration at all. This book is about homelessness, not in a traditional sense but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can't. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.

"After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom." (Jose Antonio Vargas, from Dear America)

Winner of The Restless Books Prize for New Immigrant Writing, Grace Talusan’s memoir The Body Papers bravely explores her experiences with sexual abuse, depression, cancer, and life as a Filipino immigrant, supplemented with government documents, medical records, and family photos.

Grace Talusan was born in the Philippines and raised in New England. She graduated from Tufts University and the MFA Program in Writing at UC Irvine. She is the recipient of a U.S. Fulbright Fellowship to the Philippines and an Artist Fellowship Award from the Massachusetts Cultural Council. Talusan teaches at Grub Street and Tufts. The Body Papers, winner of the Restless Books Prize for New Immigrant Writing, is her first book.

Elaine Castillo was born in the San Francisco Bay Area. She is a graduate of the University of California, Berkeley. America Is Not the Heart is her first novel.

Illuminating the violent political history of the Philippines in the 1980s and 1990s and the insular immigrant communities that spring up in the suburban United States with an uncanny ear for the unspoken intimacies and pain that get buried by the duties of everyday life and family ritual, Castillo delivers a powerful, increasingly relevant novel about the promise of the American dream and the unshakable power of the past. In a voice as immediate and startling as those of Junot Diaz and NoViolet Bulawayo, America Is Not the Heart is a sprawling, soulful telenovela of a debut novel. With exuberance, muscularity, and tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave home to grasp at another, sometimes turning back.

Set in New York and China, THE LEAVERS follows one young man's search for his mother, an undocumented Chinese immigrant who disappears when he's 11 years old, after which he is adopted by a white family. It's the story of one mother and her son: what brings them together and takes them apart.

About the author, Lisa Ko: The only child of Chinese immigrants from the Philippines, she was the first in her extended family to be born in the United States.

Maria Regina Tolentino Newport, founder and first president of the Culinary Historians of the Philippines (CHOP), launches her first book, the Gourmand World Cookbook Award-winning "Coconut Kitchen: Appetizers and Main Dishes."

Coconut Kitchen, a cookbook made for the home cook, contains basic information on the coconut – highlighting its health benefits, the many products made from it, and how they can be used in cooking. It also provides more than 60 recipes of appetizers and main dishes from a wide variety of ingredients such as vegetables, seafood, meat, poultry, sauces and salad dressings, each using one or more coconut products.

"A Village in the Fields" by Patty Enrado In her debut novel, Patty Enrado highlights a compelling but buried piece of American history: the Filipino- American contribution to the farm labor movement. This intricately detailed story of love, loss, and human dignity spans more than eight decades and sweeps from the Philippines to the United States. In the vein of The Grapes of Wrath, A VILLAGE IN THE FIELDS pays tribute to the sacrifices that Filipino immigrant farm workers made to bring justice to the fields.

"The Latinos of Asia: How Filipino Americans Break the Rules of Race" by Anthony Christian Ocampo. Is race only about the color of your skin? In The Latinos of Asia, Anthony Christian Ocampo shows that what "color" you are depends largely on your social context. Filipino Americans, for example, helped establish the Asian American movement and are classified by the U.S. Census as Asian. But the legacy of Spanish colonialism in the Philippines means that they share many cultural characteristics with Latinos, such as last names, religion, and language. Thus, Filipinos' "color"—their sense of connection with other racial groups—changes depending on their social context.

Filipino Ghost Stories: Spine-Tingling Tales of Supernatural Encounters and Hauntings by Alex G. Paman. Ghost stories are commonplace in traditional Filipino culture. Whether they take place at a relative's funeral or a hacienda located deep in a remote province, virtually all families have their own personal accounts of their encounters with the supernatural. Passed on from generation to generation, these tales act as a bridge to the past, to a time lost or nearly forgotten.

Short Story: "Playing with Dolls" by Monica Macansantos

The Last Mistress of Jose Rizal by Brian Ascalon Roley is a collection of stories that focuses on multigenerational tales of intertwined Filipino families. Set in the huge yet relatively overlooked and misunderstood Filipino diaspora in the United States, this book follows characters who live in the shadow of the histories of the United States and its former colony in Asia, the Philippines. The impact of immigration and separation filters through the stories as a way of communing with or creating distance between individuals and family, country, or history.
Roley’s work has been praised by everyone from New York Times literary critics to APIA author Helen Zia for his bare, poetic style and raw emotionalism. In the collection’s title story, a woman living with her daughter and her daughter’s American husband fears the loss of Filipino tradition, especially Catholicism, as she tries to secretly permeate her granddaughter’s existence with elements of her ancestry. In "New Relations," an American-born son introduces his mother to his Caucasian bride and her family, only to experience his first marital discord around issues of politesse, the perception of culture, and post-colonial legacies. Roley’s delicately nuanced collection often leaves the audience with the awkwardness that comes from things lost in translation or entangled in generational divides.

Erin Entrada Kelly, the author of the acclaimed Blackbird Fly, writes with grace, imagination, and deepest heart about family, sisters, and friendship, and about finding and holding on to hope in difficult times.

Two sisters from the Philippines, abandoned by their father and living with their stepmother in Louisiana, fight to make their lives better in this remarkable story for readers of Cynthia Kadohata and Rita Williams-Garcia, and for anyone searching for the true meaning of family.

"Asian-American: Proudly Inauthentic Recipes from the Philippines to Brooklyn" By Dale Talde.Born in Chicago to Filipino parents, Dale Talde grew up both steeped in his family's culinary heritage and infatuated with American fast food--burgers, chicken nuggets, and Hot Pockets. Today, his dual identity is etched on the menu at Talde, his always-packed Brooklyn restaurant. There he reimagines iconic Asian dishes, imbuing them with Americana while doubling down on the culinary fireworks that made them so popular in the first place. His riff on pad thai features bacon and oysters. He gives juicy pork dumplings the salty, springy exterior of soft pretzels. His food isn't Asian fusion; it's Asian-American. Now, in his first cookbook, Dale shares the recipes that have made him famous, all told in his inimitable voice. Some chefs cook food meant to transport you to Northern Thailand or Sichuan province, to Vietnam or Tokyo. Dale's food is meant to remind you that you're home.

Short Story: "My Father's Noose" By Grace Talusan >>>

Short Story: "How to Make Yogurt in Manila" By Grace Talusan >>>

"In The Country" by Mia Alvar.

Mia Alvar’s stories of the Filipino diaspora are stunning – restrained yet comprehensive in their evocation of what it means to live under martial law, in poverty, away from your family. No matter how far her Filipino characters travel – Bahrain, New York, to the prison thirty minutes down the road – and no matter how much their lives change – finer houses, nicer cars, medical degrees – home is ever present, ingrained in every action they take; for, “how ‘distant’ could the blood running through your veins be?” In the opening story, a young pharmacist returns home to care for his ailing father, smuggling drugs to help ease the pain and discovers an alarming secret about his mother. In ‘Shadow Families’ wealthy Filipina housewives in Bahrain throw parties for the working-class Filipinos because “helping these helpers, who’d traveled even farther, felt like home.” Alvar’s ‘Esmeralda’ explores the immigrant experience during 9/11 and it is exquisite, a story so real and pure that it could break your heart. In the Country is a joy to read. Mia Alvar’s writing is attentive, compassionate and filled with powerful sense of belonging – a splendid debut.

"Barkada ng Lima: Gang of Five" by Ninotchka Rosca

Five short stories originally written in English by American Book Awarded Ninotchka Rosca, translated into Tagalog by Pia Arboleda, head of the Filipino and Philippine Literature Program of the University of Hawaii. The book is in both English and Tagalog.

"Gun Dealers' Daughter " by Gina Apostol.

At university in Manila, young, bookish Soledad Soliman falls in with radical friends, defying her wealthy parents and their society crowd. Drawn in by two romantic young rebels, Sol initiates a conspiracy that quickly spirals out of control. Years later, far from her homeland, Sol reconstructs her fractured memories, writing a confession she hopes will be her salvation. Illuminating the dramatic history of the Marcos-era Philippines, this story of youthful passion is a tour de force.

"The Caprices" by Sabina Murray

A caprice in wartime may be a sinister thing or a necessary distraction, and in this shrewd, striking debut collection of nine short stories by novelist (Slow Burn) and screenwriter Murray it is frequently both. The characters of these cleverly crafted tales are bound by the atrocities of WWII in the Pacific and forced to make decisions in situations where hope is in short supply. The survivors are supposedly the lucky ones, though veterans like Australian Bob Cairns in "Walkabout" is horrified to learn he "would only bring the war back to a place that he had hoped to protect from it. He would no longer be a person but a reminder of absences.... He was now an ugly thing, a sore upon the landscape, a battered body which told a story that no one wished to hear." Like Cairns, Murray displays the ravages of war, but she has full confidence in the power of her storytelling ability. Attempting to tell the truth, no matter how gut-wrenching, she also handles humor with laudable finesse, using it to separate those characters who can still appreciate it from those who now find laughter unfamiliar and awkward. In "Guinea," American soldiers Francino and Burns are lost in the jungles of New Guinea with an emaciated Japanese POW who offers them some unexpected comic relief. The narrator of "Intramuros" entertains the reader with mini-tales of her mixed-heritage family; a distant cousin, Benito, is legendary for looting a store "liberated" by the Japanese and trusting a stranger with his prize, a bicycle, while he returns for more. War is an unusual subject for a young female writer; with each piece, Murray proves to be increasingly exceptional.

Poetry collection by Angela Narciso Torres, Willow Books Literature Awards Grand Prize Winner in Poetry. Part memoir, part love letter to the Philippines of her youth, Blood Orange has received critical acclaim for its ability to be at once vividly present in the moment and fully attuned to the under-dwelling currents of history.

Banished by her wealthy Filipino family in Manila, Amparo Guerrero travels to Oakland, California, to forge a new life. Although her mother labels her life in exile a diminished one, Amparo believes her struggles are a small price to pay for freedom.

Like Amparo, Beverly Obejas—an impoverished Filipina waitress—forsakes Manila and comes to Oakland as a mail-order bride in search of a better life. Yet even in the land of plenty, Beverly fails to find the happiness and prosperity she envisioned.

As Amparo works to build the immigrant’s dream, she becomes entangled in the chaos of Beverly’s immigrant nightmare. Their unexpected collision forces them both to make terrible choices and confront a life-changing secret, but through it all they hold fast to family, in all its enduring and surprising transformations.

Walang Hiya ... Literature Taking Risks Toward Liberatory Practice Presented by Editors Lolan Buhain Sevilla and Roseli Ilano, this anthology is committed to using the narrative as a departure point for personal and political transformation. Featuring short fiction and poetry from emerging Pilipino and Pilipino-American writers:

Adrien Salazar, Aimee Suzara, Aldrich Sabac, Amalia Bueno, David Maduli, Dionisio Velasco, Edene Matutina, Eileen Tabios, Ellen-Rae Cachola, Elsa Valmidiano, Emily Lawsin, Grace Talusan, Jen Palmares Meadows, Jenny C. Lares, Joan Iva Cube, Kristen Sajonas, Laurel Fantauzzo, Lolan Buhain Sevilla, Melanie Dulfo, Melissa Reyes, Michael Janairo, Michelle Ferrer, Niki Escobar, Paul Ocampo, Pippi Prado, Rachel Gray, Regie Cabico, Ricco Villanueva Siasoco, Roseli Ilano, Thomas Paras, Tina Bartolome. Artwork by Arlene Rodrigo and Aimee Espiritu.

Ilustrado by Miguel Syjuco Garnering international prizes and acclaim before its publication, Ilustrado has been called “brilliantly conceived and stylishly executed . . .It is also ceaselessly entertaining, frequently raunchy, and effervescent with humor” (2008 Man Asian Literary Prize panel of judges).

It begins with a body. On a clear day in winter, the battered corpse of Crispin Salvador is pulled from the Hudson River—taken from the world is the controversial lion of Philippine literature. Gone, too, is the only manuscript of his final book, a work meant to rescue him from obscurity by exposing the crimes of the Filipino ruling families. Miguel, his student and only remaining friend, sets out for Manila to investigate.

To understand the death, Miguel scours the life, piecing together Salvador’s story through his poetry, interviews, novels, polemics, and memoirs. The result is a rich and dramatic family saga of four generations, tracing 150 years of Philippine history forged under the Spanish, the Americans, and the Filipinos themselves. Finally, we are surprised to learn that this story belongs to young Miguel as much as to his lost mentor, and we are treated to an unhindered view of a society caught between reckless decay and hopeful progress.

Exuberant and wise, wildly funny and deeply moving, Ilustrado explores the hidden truths that haunt every family. It is a daring and inventive debut by a new writer of astonishing talent.

Short Story: "Alien Hand" by Grace Talusan >>>

Short Story: "A Doctor of None" by Zaldy Tan

The Solmen Lantern Maker by Merlinda Bobis It’s six days until Christmas, and on the bustling streets of Manila a mute ten-year-old boy sells his version of the stars: exquisite lanterns handmade with colorful paper. But everything changes for young Noland when he witnesses an American tourist injured in a drive-by shooting of a journalist and imagines he’s seen an angel falling from the sky. When Noland whisks her to the safety of the hut he shares with his mother, the magical and the real collide: shimmering lanterns and poverty, Christmas carols and loss, dreams of friendship and the global war on terror. While the story of the missing tourist grips the media, Noland and his mother care for their wounded guest, and a dark memory returns. But light sneaks in—and their lives are transformed by the power of love.

Filipino American Psychology by Dr. Kevin Nadal Filipino Americans are the second largest Asian American/ Pacific Islander population in the United States and they are projected to become the largest Asian American population by 2010. With 1.37 million Filipino-born immigrants living in the US, Filipino Americans are the second largest immigrant population in the country. As descendants of the Philippines, a country that was colonized by Spain for over three centuries and by the US for nearly 50 years, Filipino Americans are an ethnic group with a sociocultural and historical experience that is unlike any other. First, they are the only ethnic group that has been categorized as Asian American, Pacific Islander, and Hispanic. However, California state laws require that all personnel surveys or statistical tabulations classify persons of Filipino ancestry as "Filipino" rather than part of any other racial or ethnic group. Additionally, Filipino Americans have often been referred to as the "Forgotten Asian Americans," because their presence has been invisible in psychology, education, humanities, and other social sciences. Filipino American Psychology: A Handbook of Theory, Research, and Clinical Practice offers a comprehensive look at the psyche of Filipino Americans. By examining history, cultural values, influences of colonialism, community dynamics, and intersections with other identities, the reader will have an opportunity to understand essential information about this population. Students will gain knowledge and awareness about Filipino American identity and personality development, while practitioners will learn culturally-competent techniques to become better counselors, clinicians, and educators. This book is the first of its kind and aims to promote visibility of this invisible group, so that 2.4 million Filipino Americans will have their voices heard.

Juan Luna's Revolver by Luisa A. Igloria The poems in Juan Luna's Revolver both address history and attempt to transcend it through their exploration of the complexity of diaspora. Attending to the legacy of colonial and postcolonial encounters, Luisa A. Igloria has crafted poems that create links of sympathetic human understanding, even as they revisit difficult histories and pose necessary questions about place, power, displacement, nostalgia, beauty, and human resilience in conditions of alienation and duress.
Igloria traces journeys made by Filipinos in the global diaspora that began since the encounter with European and American colonial power. Her poems allude to historical figures such as the Filipino painter Juan Luna and the novelist and national hero José Rizal, as well as the eleven hundred indigenous Filipinos brought to serve as live exhibits in the 1904 Missouri World's Fair. The image of the revolver fired by Juan Luna reverberates throughout the collection, raising to high relief how separation and exile have shaped concepts of identity, nationality, and possibility.
Suffused with gorgeous imagery and nuanced emotion, Igloria's poetry achieves an intimacy fostered by gem-like phrases set within a politically-charged context speaking both to the personal and the collective.

The Gods We Worship Live Next Door Bino A. Realuyo has that rare gift of transforming modern horror into art. In The Gods We Worship Live Next Door he writes of his beleaguered country, the Philippines, in ways that reveal universal truths. The land is vibrant and alive, real with mythical shadows--rituals, dances, work--and, at the same time, racked by persecution and death. The book is passionate without a trace of sentimentality, a compelling account of destruction under a silent god." Grace Schulman, distinguished professor of English, Baruch College, CUNY

The New York Times Book Review of the Umbrella Country, Laura Morgan Green
...Realuyo's lucid prose, unencumbered by sentimentality or hindsight, lends freshness to the conflicts of his somewhat familiar characters and color to a setting both impoverished and alluring.

From Kirkus Reviews
A lyrical first novel limns a troubled coming-of-age in 1970s Manila, where deviance and difference are punished by silence or brutality. Eleven-year-old Gringo, an observant child who spends long hours watching the neighborhood from an upstairs window, narrates the story of his Manila childhood. He is perhaps too adult and perceptive for his agebut these are common failings of the genre, redeemed here by the eloquence of the writing. The family is poor and unhappy. The father, Daddy Groovie, often unemployed, dreams only of escaping to America, where his sister lives; the mother, Estrella, her feelings tightly suppressed, got married only because she was pregnant; one-year-older brother Pipo, of whom Gringo is extraordinarily protective, likes to dress in women's clothes and has thrice been crowned ``Miss Unibers'' in childhood versions of the beauty pageant; and when hes drunk, Daddy Groovie beats Pipo and Estrella while Gringo looks on helplessly. The neighbors don't intervene either, Manila being a place where umbrellas are carried both in rain and sun as a means of protection from what is best neither seen nor known. Gringo has had to grow up fast: After Pipo is brutally raped by Boy Manicure, the owner of the street's Beauty Parlor, Gringo helps him clean up; an older acquaintance shows Gringo the hideout where Pipo is coupling with other young gays; and when Boy is murdered by an unknown adult, Gringo confesses that it was his shorts, not Pipo's, that police found on the premises. Daddy Groovie gets his visa and, once settled in the US, sends for his family, but only the boys will go: Estrella belongs in Manila. Gringo's responsibilities for his brother must continue. Sometimes overwrought, but even so an evocative and subtly different take on the loss of innocence. A promising debut. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.